ANALISIS WACANA KRITIS DALAM PAGELARAN WAYANG KULIT LAKON “PETRUK DADI RATU”
Abstract: This study took the
title "Critical Discourse Analysis Pagelaran Wayang Kulit in Lakon
"Petruk Dadi Ratu". This issued is a discourse that emerged from the
shadow puppet Lakon Petruk Dadi Ratu. The purpose of this study was to
determine the discourse of Lakon Petruk Dadi Ratu and why the discourse has a
structure in such a way.
Petruk Dadi Ratu is lakon carangan whose existence is played as a
different opera and beyond pakemisasi pagelaran during the wayang kulit. The
plot is lifted with a different feel and play with the new way of delivering
mastermind who uses improvisation in the plot, according to his trademark.
That's because the pattern of political and protest in the Lakon. One of them
can be seen in the Lakon "Petruk
Dadi Ratu". The
play is an
improvised play where
puppeteers give something more
current and in accordance with the realities of life as a form of
socio-political critique of what is going on in the current government.
Existence pagelaran puppet
puppeteer with skin
and attitudes provide moral
and political messages
interesting to study
through critical discourse analysis approach.
This study uses
Critical Discourse Analysis
by Norman Fairclough model
approach. The data were analyzed in three dimensions, the dimension text,
dimension discourse practices, and sociocultural dimensions. This study also
uses Foucault's theory to see how the shadow puppets as a form of knowledge and
power in a critical discourse analysis.
After analyzing the data obtained resulted in a change in the puppet
world pakemisasi the other side in a leather puppet pagelaran. This was due to
the progress of time to pack art and ideology became more interesting shadow
play and can maintain its existence. This is shown through the play Petruk Dadi
Ratu shadow puppets in a lakon carangan.
Penulis: Lanjar Rani, Pamerdi
Giri Wiloso
Kode Jurnal: jpsosiologidd130514
