REPRESENTASI PATRIARKI DARI SUDUT PANDANG TEORI STRUKTURAL-FUNGSIONALISME TOKOH-TOKOH DALAM FILM 7 HATI 7 CINTA 7 WANITA
Abstract: Gender issues
especially about womans is one of
interest topic that be appointed in Indonesian cinemas. One of movie
that takes on woman’s issues is created by new director, his name is Robby
Ertanto Soediskam. It’s title is “7 Hati 7 Cinta 7 Wanita” (in English: 7 Heart
7 Love 7 Womans). This movie has interested attention from viewers and also cinema
observers, it is because quality of story line and messages that be submited by
director. This case be evidenced with several awards that be achieved in
“Festival Film Indonesia 2010” and Indonesian Movie Awards 2011.
Through content analysis methods, this research is trying to explain
patriarch representation of “7 Hati 7
Cinta 7 Wanita” (in English: 7 Heart 7 Love 7 Womans) movie’s figures from view
point of structural-fungsionalism theory. This research be implemented by
observe woman’s figures then analyze them with structural-fungsionalism theory.
The conclusion that be discovered is not all of case that happens between
woman and man figures in this film is effected by patriarch system, such as
previous research said. Structural-fungsionalism theory used can prove that
patriarch system doesn’t cause oppresion and violence for woman. However, they
are effect from role and function that isn’t implemented.
Keywords: Gender, Woman,
Patriarch, Structural-Fungsionalism, Representation, Film, Movie, 7 Hati 7
Cinta 7 Wanita
Penulis: Victor Efenly, John R
Lahade
Kode Jurnal: jpsosiologidd130515
